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On September 9th 2001, VII announced its formation. On the following night, covering for the missed return flight of a colleague, James Nachtwey arrived at his Manhattan apartment close to the World Trade Center. The next morning, he photographed some of the most haunting pictures of the collapse of the towers, at the same time eloquently conveying the destruction of a way of life.

While the stark realities of the battlefield loom large, VII turns its gaze with equal intensity to more subtle forms of conflict and documenting the changes and development of society and culture worldwide. The work of Lauren Greenfield, particularly in her social documentary of youth culture and gender identity, adds a further perspective and depth to the work of the agency

But this is not merely artfully captured, neutral observation; nor is it the doctrinaire elaboration of a political or social position. Each photographer is inspired by an array of often very different motivations, and it is from this breadth of reference that the agency draws its originality and strength. What unites VII's work is a sense that, in the act of communication at the very least, all is not lost; the seeds of hope and resolution inform even the darkest records of inhumanity; reparation is always possible; despair is never absolute.